Mexico Azul isn't a nostalgic album. Instead, it presents a new vision of a beautiful Mexican repertoire, one that honors and celebrates the nation's African influences. It includes tunes by Mexican masters Agustin Lara and Alvaro Carrillo. Herrera said both incorporated the third root in a very elegant way.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of A Whole Regeneration, Traveling Light, Flying with the Owls, HOMEopathy : Roots House Vol. 1, Grow Within...The Prayers, Grow Within And You Shall Not Go Without, The Defragmentations of Roots Grown Deep, and The Outcries of Roots Grown Deep. , and , . Purchasable with gift card Buy Digital Discography $44 USD or more (20% OFF) Send as Gift about From the album Traveling Light, which is the first chapter of the audio epic trilogy, The Musical Ecology of Roots Grown Deep."Traveling Light is the key to the doorway of Time" $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); credits from Traveling Light, released February 22, 2022 Carolina Neves - speak easy (en Francais)Naftali - voiceNelius Nortje - guitarNtando Mbatha - bassQhawekazi Giyose - voiceNeahtyah Baht Ammi - voiceJeremy Thomas - trumpetJoel Karabo Elliott - voice, guitar, trombone, percussionLantern Seka Maleka - djembeRoland Pickl - guitarChorus "we are going..." by Alternate Roots gatheringComposed, Arranged & Produced by Joel Karabo ElliottRecorded, mixed and mastered by Roland Pickl at Studio Bom Dia (Inhambane, Mozambique) $(".tralbum-credits").last().bcTruncate(TruncateProfile.get("tralbum_long"), "more", "less"); license all rights reserved tags Tags african jazz fusion neo-soul world world fusion music contemplative ensemble french indie folk roots singer-songwriter spiritual world fusion South Africa Shopping cart total USD Check out about Joel Karabo Elliott LP, South Africa
afrikan roots album
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Afrikan Dub - Surrender, Afrikan Dub - INNER STRUGGLE, Afrikan Dub "Special Request" Dub Lovers Crew - DUB LOVERS ANTHEM, Gaby Red feat. Bungalo Dub - FOCUS (Afrikan Dub REMIX), Inna Dis Time Riddim, Afrikan Dub & Wallar Beats - RUN DI DUB (final chapter), Afrikan Dub & Wallar Beats - RUN DI DUB (chapter two), Afrikan Dub & Wallar Beats - RUN DI DUB (chapter one), and 22 more. , and , . Purchasable with gift card Buy Digital Discography $20.15 USD or more (35% OFF) Send as Gift credits released March 23, 2021 Special Dubplate // Special VersionLirycs by High Paw www.instagram.com/highpawgz/ Mix & Riddim by Afrikan Dub www.instagram.com/afrikan_dub/ Bangarang RiddimOriginal versionChalart58 feat. High Paw - "If You Bring The Selection" $(".tralbum-credits").last().bcTruncate(TruncateProfile.get("tralbum_long"), "more", "less"); license all rights reserved tags Tags reggae afrikan dub dub dubplate españa high paw mexico new roots roots special version steppa Mexico City Shopping cart total USD Check out about Afrikan Dub Mexico City, Mexico
Reviewed by: The Routes of Rumba Johnny Frías Martínez, Pedro, and Román Díaz. 2008. The Routes of Rumba. Round World Productions/Round Whirled Records 844185096942. Compact disc. Contrary to presenting a nostalgic collection of folklore, this recording focuses on the contemporary sound of Cuban rumba, particularly the guarapachangueo style. A freelance producer and assistant professor of performance studies and Latino/a studies at Williams College, Berta Jottar has brought together two of the top Cuban musicians in the United States in [End Page 139] the production of The Routes of Rumba. Jottar conceptualized the album as a representation of culture of rumba, a Cuban musical genre associated with its African roots. This recording succeeds in bringing together experimentation, tradition, experience, and innovation, providing a refreshing look at contemporary Cuban rumba. Jottar also provides an interactive component and a video, which are included on the disc, and even dedicates a website to the album.
At 6 feet 7 inches tall, often favoring flowing garments from North or West Africa, Mr. Weston was an imposing, though genial, figure whether performing onstage or teaching in university classrooms. Even before making his first album, he was giving concerts and teaching seminars that emphasized the African roots of jazz. This flew in the face of the prevailing narrative at the time, which cast jazz as a broadly American music, and as a kind of equal-opportunity soundtrack to racial integration.
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